Bass Rising @ Gothic Theatre in Englewood, Colorado (Review) [4/28/18]

Review By: jdrightright

Photography By: Emma Ceaglske


For the final Saturday in April the Denver dubsteppers went ham at The Gothic Theatre. An annual bash known as Bass Rising from Rebudz and Reload Productions stacked up a monster line up for the people. There were six artists that came through: Synoid, Hi Im Ghost, Chime, Hekler, Infekt, and Midnight Tyrannosaurus headlined the show. This was a perfect blend of premium wub and everyone loved it.


Previously Rebudz and Reload Productions had not held an event at the Gothic Theatre, this was a night of many firsts. A number of the artists had never played in Denver before either. Nexus Productions brought their brand new HD-LED panel walls and boy were the crispy! The visuals were top notch for this event with a big wall behind the booth with a slight concave curve. In front of the booth was a smaller panel wall with a slight convex curve creating an aesthetic effect. Surreal Laser also brought a pair of laser boxes to add even more to the optical splendor. The stage looked absolutely beautiful and the skilled technicians did an awesome job matching up with the music.

First up was Synoid, a fine dubstep producer out of Florida. In the future he may end up here in the bass capital, he was telling me he would like to move out here to Colorado. He got the place pumped up with immediate vibes. The lower tier of the venue was full right away and they were ready to get down to some Synoid bass. His style is full of wubs, and he got the people involved chanting to the beat "Hey! Hey! Hey!" Towards the end of his set Synoid went down into the crowd and entered the mosh pit himself. He went super hard to close out an excellent opening set.

Next up was a duo called Hi I'm Ghost, made up of Nathan Davis and Tiago Nunez. Nathan is the son of the Korn front man Jonathan Davis, and Tiago was formerly producing under the name iNexus. They always keep it spooky together and put on a hell of a show. They got into some classic Skrillex stuff with this set and went full flex on the crowd like a rude boi should. When one of them was hyping up the crowd the other would keep the decks kicking out drops. Lots of energy on the microphone, and they orchestrated some solid mosh pits. Towards the end of the set Hi I'm Ghost got the laser treatment as Surreal Laser fired up the beams.

The room really got shaking as Hekler took the stage. He is a bit mysterious and was a new artist for many to see live and he showed out. Now the graphics and lasers were going strong, the stage productions was A+ rated by the better bass bureau. Hekler has a ton of big tour dates right now, he is playing at festivals and all over the country in venues of all sizes. His set was so wobbly, he went deep down low and all over the place with bass. Dirty dubstep was a theme as he weaved together a superb set, I remember hearing some Flux Pavilion remixes and other intense drops. I always enjoy seeing an artist for the first time and this was a pleasure to rock out with Hekler.

A very exciting Denver debut performance was up next with Chime taking control of the sound waves. This was highly anticipated by many in the bass fam, and Chime brought a super fire flower to enable him to throw fireballs. I love his nintendo style, mixing some chiptune sounds with intense dubstep drops. A special guest was in the building, none other than Stabby from the Never Say Die Black Label. Stabby was here to help promote a new track that he and Chime worked on together, and to headbang of course. This new track is now out on Buygore and is called Permadeath. Chime also just recently put out a brilliant EP called Experience Points which I have had on repeat ever since it dropped. Chime was very animated on stage bouncing around and the people followed suit. He would punch the air to the melody on his drops. His progression was infectious, I didn't miss a moment of his time on stage. The music forced you to dance along it was so intoxicating.

Getting back to that riddimy hard dubstep the room adjusted their undies for an epic set from Infekt. He went one deeper than anyone prior and Infekt completely rekt the room, in a good way. He was putting down some of the most grimey raunchy bass music and all of my squad was freaking out. Mosh pits throughout the set and it was awesome to see that in a venue that doesn't mind it happening. Also some dedicated strong necked individuals flung their hair all over the place to Infekt's mix. The speakers were blaring out bass right until the end of his hour.

Right away the people noticed when Midnight Tyrannosaurus took the stage, and everyone started screaming. Dude is definitely a legend in the Denver bass family, and he always comes through with a prehistorical dope set. Recently Jason moved out to Colorado, so we should be seeing him even more which is awesome! The Gothic Theatre is a perfect venue for his electrifying bass productions. Sicko mosh pits were continuous for Midnight Tyrannosaurus, he kept it hype and went hard at the same time. I love watching him react to the drops on stage, he deals out bass playing cards at the crowd like a dubstep Gambit from X-Men. As always his energy is out of the atmosphere, constantly moving a dancing around in the booth. Towards the end he brought Synoid back out and gave him props on a killer set, also acknowledging all the others who threw down at Bass Rising too. To close out the night he went into some Dubloadz and other extra strength drops.

What a night at the Gothic Theatre, tons of firsts and all of the coolest people were in the house for this stupendous line up. Bass Rising has never been this massive, and it's going to be tough to top it next year. I have every confidence in the world that Rebudz and Reload Productions will always one up themselves with bigger and bigger shows as they have for years. Shout out to Nexus Productions and Surreal Laser again for providing a top notch stage production. Also big thanks to Emma Ceaglske from Eyediola Photography for her lucid images from the night. Next up is the Never Say Die Black Label showcase on June 9th at Summit Music Hall, follow the link for the line-up and tickets. I hope to see you all there. 

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Monxx and Synoid @ Cervantes Other Side in Denver, Colorado (11/25/17) [Review]

Review By: 
jdrightright

Photography By: 
Emma Ceaglske


Another get together went down on Saturday as Monxx came through Denver as part of his Stay Wonky Tour. Held by the deadliest duo of promoters in the city Rebudz and Reload Productions. Along for the ride was Synoid, Swayd, Bloodhound, and NJoy. Tickets were completely sold out the day before the show, and some were salty that they slept on it. Cervantes Other Side was in store for a busy night.


The young crowd always shows up super early and this was no exception. Right when doors opened a good hundred plus die hard bass enthusiasts were in the building and ready to get down. Cervantes Other Side is a nice long room with the majority of the place being a dance floor. In the back corner there is a small elevated area with a few tables for taking a break. Also they serve tasty food out of their small kitchen called "Pass The Peas." The stage was loaded up with extra lights and a set of four full color lasers. The lasers were arranged in a clever layout with two positioned high on each side of the both beaming straight out and slightly upward, the other two were sitting lower and angled more upward. It looked extravagant and this added to the aesthetic of the room. Outside in the back is an beautiful area for people to chat and get fresh air. The outdoor area is constantly being modified with more tables and seating, all of which is made from natural wood.

To get things going NJoy was spinning some flappy bass and wubs. NJoy is a Denver DJ with a growing resume, opening for a number of shows in a number of venues. He had the people moving and the stage was surrounded early as the attendees wanted to secure spots up front. NJoy threw out some shout outs to homies as he dropped their tracks in his mix. Along with NJoy was Aarbear for a special back to back section that went rather hard. The two blended some dope drum and bass into the set and got the collective hearts beating faster. Hell of an opening set for NJoy, and he is definitely someone to keep an eye on as he emerges in the Denver bass scene.

The duo Bloodhound came up next and they started with a throwback Etta James At Last. They got on the mic and said, "Shout out to all my lovers out there." Then right at the proper time transitioned into a dirty dub drop, and the people loved it. Bloodhound had the crowd yelling, "Hey, Hey, Hey" all together. Another crowd favorite was a bass remix of Lil Uzi Vert's All My Friends Are Dead. Later in the set Bloodhound brought up their friend and fellow producer Bace Ventura to add to the essence. He brought some extra wobbles and helped close out a big set for Bloodhound.

Next up was Swayd another talent representing Denver and the Sub.Mission crew. He started with a deep bass intro and kept it going throughout his time on stage. Swayd goes rather hard and the people responded by headbanging to the drops. Mad visuals were displayed in the form of lights and lasers and this added to the impressive mix Swayd was stirring up. The crowd was poppin off and Swayd was fueled by the impressive energy in the room. During the end of his time Swayd dropped this killer Sadhu remix of Aqua's Barbie Girl and it was a big hit with the audience.

To start his set Synoid got everyone attention with some Skillex Kill Everybody. He then shifted into the most riddimy riddim. Synoid brought a ton of very wavey basslines to the table and the overall reaction was to go ham. The theme for his set was sinister drops, a lot of minor chords and eerie sounds bounced around the room. Synoid brings his finger guns everywhere he goes and he isn't afraid to fire them off. He also has a way with mad scientist hands, as if to say, "It's Alive!" Tons of bass yawns of yuh and yai came out of the speakers, which is always an audible delight. During the closing of his set Synoid went back into some Skrillex dropping Cinema, but then fused in some Must Die! For his outro he went off changing up the drop about every 37 seconds, just enough time to cue up the next track.

Headlining the night was Monxx, and he appropriately named his tour the Stay Wonky Tour, because that's exactly what he achieved. He got started with a dope into with shout outs to the bass master Datsik. The bass was so abundant it was shaking the foundation of the building. The congregation was very active and Monxx had the whole place screaming. He played Excision's G Shit and the whole place screamed "All I drop is G Shit!" Monxx went full tilt  with filthy dub and zerps and everyone stayed until the very end of the night. To close out his hour Monxx came out to the front of the stage and signed anything the public asked for him to sign. He even played an extra track just to have some background music to finish up signing merch for everyone. Lots of people left with marvelous keepsakes now enhanced by the autograph of Monxx.

This was an enjoyable night and we can thank the best promoters in the city for that Rebudz and Reload Productions. The Other Side of Cervantes hasn't been this hype for a show in a while, it was magnificent to be a part of. Got to show love to my friend and exquisite photographer Emma Ceaglske from Eyediola Photography for acquiring stunning images of the night. Make sure to keep on the up and up with both Rebudz and Reload Productions for show announcements and contests for forthcoming concerts by following both on all social media. They always have something up their wizard sleeves and I can't wait to see what is in store for the future.

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