Review By:
jdrightright
Photography By:
Emma Ceaglske
Another get together went down on Saturday as Monxx came through Denver as part of his Stay Wonky Tour. Held by the deadliest duo of promoters in the city Rebudz and Reload Productions. Along for the ride was Synoid, Swayd, Bloodhound, and NJoy. Tickets were completely sold out the day before the show, and some were salty that they slept on it. Cervantes Other Side was in store for a busy night.
The young crowd always shows up super early and this was no exception. Right when doors opened a good hundred plus die hard bass enthusiasts were in the building and ready to get down. Cervantes Other Side is a nice long room with the majority of the place being a dance floor. In the back corner there is a small elevated area with a few tables for taking a break. Also they serve tasty food out of their small kitchen called "Pass The Peas." The stage was loaded up with extra lights and a set of four full color lasers. The lasers were arranged in a clever layout with two positioned high on each side of the both beaming straight out and slightly upward, the other two were sitting lower and angled more upward. It looked extravagant and this added to the aesthetic of the room. Outside in the back is an beautiful area for people to chat and get fresh air. The outdoor area is constantly being modified with more tables and seating, all of which is made from natural wood.
To get things going
NJoy was spinning some flappy bass and wubs. NJoy is a Denver DJ with a growing resume, opening for a number of shows in a number of venues. He had the people moving and the stage was surrounded early as the attendees wanted to secure spots up front. NJoy threw out some shout outs to homies as he dropped their tracks in his mix. Along with NJoy was
Aarbear for a special back to back section that went rather hard. The two blended some dope drum and bass into the set and got the collective hearts beating faster. Hell of an opening set for NJoy, and he is definitely someone to keep an eye on as he emerges in the Denver bass scene.
The duo
Bloodhound came up next and they started with a throwback Etta James
At Last. They got on the mic and said, "Shout out to all my lovers out there." Then right at the proper time transitioned into a dirty dub drop, and the people loved it. Bloodhound had the crowd yelling, "Hey, Hey, Hey" all together. Another crowd favorite was a bass remix of Lil Uzi Vert's
All My Friends Are Dead. Later in the set Bloodhound brought up their friend and fellow producer
Bace Ventura to add to the essence. He brought some extra wobbles and helped close out a big set for Bloodhound.
Next up was
Swayd another talent representing Denver and the Sub.Mission crew. He started with a deep bass intro and kept it going throughout his time on stage. Swayd goes rather hard and the people responded by headbanging to the drops. Mad visuals were displayed in the form of lights and lasers and this added to the impressive mix Swayd was stirring up. The crowd was poppin off and Swayd was fueled by the impressive energy in the room. During the end of his time Swayd dropped this killer Sadhu remix of Aqua's
Barbie Girl and it was a big hit with the audience.
To start his set
Synoid got everyone attention with some Skillex
Kill Everybody. He then shifted into the most riddimy riddim. Synoid brought a ton of very wavey basslines to the table and the overall reaction was to go ham. The theme for his set was sinister drops, a lot of minor chords and eerie sounds bounced around the room. Synoid brings his finger guns everywhere he goes and he isn't afraid to fire them off. He also has a way with mad scientist hands, as if to say, "It's Alive!" Tons of bass yawns of yuh and yai came out of the speakers, which is always an audible delight. During the closing of his set Synoid went back into some Skrillex dropping
Cinema, but then fused in some Must Die! For his outro he went off changing up the drop about every 37 seconds, just enough time to cue up the next track.
Headlining the night was
Monxx, and he appropriately named his tour the Stay Wonky Tour, because that's exactly what he achieved. He got started with a dope into with shout outs to the bass master Datsik. The bass was so abundant it was shaking the foundation of the building. The congregation was very active and Monxx had the whole place screaming. He played Excision's
G Shit and the whole place screamed "All I drop is G Shit!" Monxx went full tilt with filthy dub and zerps and everyone stayed until the very end of the night. To close out his hour Monxx came out to the front of the stage and signed anything the public asked for him to sign. He even played an extra track just to have some background music to finish up signing merch for everyone. Lots of people left with marvelous keepsakes now enhanced by the autograph of Monxx.
This was an enjoyable night and we can thank the best promoters in the city for that Rebudz and Reload Productions. The Other Side of
Cervantes hasn't been this hype for a show in a while, it was magnificent to be a part of. Got to show love to my friend and exquisite photographer Emma Ceaglske from
Eyediola Photography for acquiring stunning images of the night. Make sure to keep on the up and up with both
Rebudz and
Reload Productions for show announcements and contests for forthcoming concerts by following both on all social media. They always have something up their wizard sleeves and I can't wait to see what is in store for the future.
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